investigative journalism for the Instagram generation


The recent spate of riots were sparked by resentment over the presence of asylum seekers and fuelled by social media. Some of the people protesting had genuine grievances. Some were racist. Some were just bored and fancied a bit of action. This is all obvious. But in Small Town, Big Riot these conclusions were presented as revelatory.

This is BBC investigative journalism at its most pitiful. It is made in the style of most BBC Three documentaries, which is to say that most of the screen time is taken up by the presenter – in this case Mobeen Azhar – being filmed driving a car or hanging up shirts in a hotel room. These are the boring bits of reporting that proper documentaries wouldn’t consider worthy of broadcast.

We start with Azhar ringing someone, and telling viewers: “I reckon if there’s ever a time for him to actually talk, it’s probably now, given everything that’s happened.” On tenterhooks to find out who he’s calling, and what they’re going to say, instead it goes to voicemail and that’s the end of that.

It doesn’t improve much. Azhar’s investigation was at least timely – the riot that had caught his interest took place last year in Kirkby, Merseyside, outside a hotel housing asylum seekers. It provided a “blueprint”, he suggested, for the trouble that broke out this summer. In Kirkby, the catalyst was a video of a 15-year-old girl being propositioned by a 25-year-old man who had been staying at the hotel.



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